The Farmer S Bride Annotated Bibliography

Callaloo

Description:Callaloo, the premier African and African-American literary journal, publishes original works by and critical studies of black writers worldwide. The journal offers a rich mixture of fiction, poetry, plays, critical essays, cultural studies, interviews, and visual art. Frequent annotated bibliographies, special thematic issues, and original art and photography are some of the features of this highly acclaimed international showcase of arts and letters. Special issues on Haiti and on Puerto Rican Women Writers have received awards from the Council of Editors of Learned Journals and the Association of American Publishers Professional Scholarly Publishing Division.

Coverage: 1976-2012 (No. 1 - Vol. 35, No. 4)

Moving Wall: 5 years (What is the moving wall?)

The "moving wall" represents the time period between the last issue available in JSTOR and the most recently published issue of a journal. Moving walls are generally represented in years. In rare instances, a publisher has elected to have a "zero" moving wall, so their current issues are available in JSTOR shortly after publication.
Note: In calculating the moving wall, the current year is not counted.
For example, if the current year is 2008 and a journal has a 5 year moving wall, articles from the year 2002 are available.

Terms Related to the Moving Wall
Fixed walls: Journals with no new volumes being added to the archive.
Absorbed: Journals that are combined with another title.
Complete: Journals that are no longer published or that have been combined with another title.

ISSN: 01612492

EISSN: 10806512

Subjects: Language & Literature, African American Studies, Area Studies, Humanities

Collections: Arts & Sciences I Collection, JSTOR Essential Collection, Language & Literature Collection

     Three summers since I chose a maid,

     Too young maybe—but more’s to do

     At harvest-time than bide and woo.

              When us was wed she turned afraid

     Of love and me and all things human;

     Like the shut of a winter’s day

     Her smile went out, and ’twadn’t a woman—

            More like a little frightened fay.

                    One night, in the Fall, she runned away.

     “Out ’mong the sheep, her be,” they said,

     ’Should properly have been abed;

     But sure enough she wadn’t there

     Lying awake with her wide brown stare.

So over seven-acre field and up-along across the down

     We chased her, flying like a hare

     Before out lanterns. To Church-Town

              All in a shiver and a scare

     We caught her, fetched her home at last

              And turned the key upon her, fast.

     She does the work about the house

     As well as most, but like a mouse:

              Happy enough to chat and play

              With birds and rabbits and such as they,

              So long as men-folk keep away.

     “Not near, not near!” her eyes beseech

     When one of us comes within reach.

              The women say that beasts in stall

              Look round like children at her call.

              I’ve hardly heard her speak at all.

     Shy as a leveret, swift as he,

     Straight and slight as a young larch tree,

     Sweet as the first wild violets, she,

     To her wild self. But what to me?

     The short days shorten and the oaks are brown,

              The blue smoke rises to the low grey sky,

     One leaf in the still air falls slowly down,

              A magpie’s spotted feathers lie

     On the black earth spread white with rime,

     The berries redden up to Christmas-time.

              What’s Christmas-time without there be

              Some other in the house than we!

              She sleeps up in the attic there

              Alone, poor maid. ’Tis but a stair

     Betwixt us. Oh! my God! the down,

     The soft young down of her, the brown,

The brown of her—her eyes, her hair, her hair!

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